Following on from the imprint technique, this post considers multiple imprinting as a natural extension.

It introduces the idea of adding further moments of stillness within a single exposure, and explores how structure and motion can coexist within ICM.

If I had to point to one technique that reshaped how I approach ICM, it would be what I call Imprinting.

Rather than letting movement override a scene, imprinting allows its character to remain, woven into the motion itself.

In this post, I explore what that means in practice, what it can bring to your own images, and how camera direction influences the final result.