a visual perspective

Who do you take photographs for? While this may sound like a simple question it is often one of the most difficult to answer. Many shoot with a goal of capturing meaningful moments to share or archive, or perhaps to fill a directive from a client.  My own passion led me to seek out subjects of interest or beauty but after early results being questioned I found myself following a subconscious goal of creating work to please others rather than myself.

A subsequent change in mindset now allows me the freedom to create artwork to my own liking, to experiment and to display as I see fit. Do I care what others think of my work? - ABSOLUTELY. However I feel that it is more important to remain authentic and true to myself,  and am content with viewers forming their own opinion. Strangely it is only after changing to this mindset that I started gaining the recognition and validation from others that I sought for so many years prior.

So my question to you is - who do you take photographs for? - for the appreciation of others or to satisfy your own creative desires?

Let me know, I would love to hear your feedback and personal experiences

Update Sept 2018

I have just come across a blog entry from an admired artist, requesting critique of an exquisite image. A concern expressed by the artist was that although he enjoys the image and is encouraged to create more he feels that such artwork rarely sells. A viewpoint returned from a 2nd respected artist indicates that although the image may not sell, it is ART, and something to be proud of.

This goes back to my original question/dilemma - are we taking pictures for the benefit of others, or creating art that satisfies perhaps a smaller audience, but most importantly OURSELVES?

Rocks in a calm tide

photography for fun

AKA - images from a fun trip to North Dakota....

As a fine art photographer, it is easy to become overly focused on a final result and perhaps a fear of producing work that inadequately reflects our vision. I think it is good to step back from time to time and reflect on what attracted us to  photography in the first place - not just for the one image that captures both imagination and heart but the joy in the process of creating images purely for the fun in doing so.

Family vacation is a perfect time where this lighter approach can be followed.  Although temptation surrounds us spending time with family and friends at this time is paramount - planned photographic trips are replaced with opportunistic captures as we explore new environments, the pleasure derived from planning and executing a vision replaced with spontaneity and an acute awareness of the world around us at each moment in time.

Such a time was spent during a recent trip to visit our son in North Dakota. Traveling with only the bare essentials the camera joined us on every adventure, capturing both memories and scenes of interest as discovered. An added bonus to me is that my son, Sam, has become interested in the art which enabled us to spend quality time shooting together.

While resulting images may not be exhibition quality they perhaps more importantly, capture a wealth of memories and added an extra element of fun during the visit. Following is a selection of opportunities encountered during our visit. Feel free to feed back comments or your own thoughts - I'd love to hear from you!

Click on the images below to view full-sized, then hover over for narrative.

 

 

 

 

inspiration or replication?

I have come across posts from a couple of photographers recently which suggest that we should avoid viewing the work of other artists in order to develop our own creativity. That's an interesting concept - this would certainly prevent us from being overly influenced by work we appreciate, but without access to artwork that inspires then I think we are limiting our own growth potential.

I do see cases where photographers have (subconsciously?) fallen into the trap of replicating rather than being inspired by the work of their heroes, but I think there needs to be a balance. My feeling is that we need to appreciate the work of a variety of great artists and draw inspiration from each in order to better evolve our own style. Working in isolation may work for some but I believe this can only work after having already built a solid foundation to build on.

Returning to growth; a second article referred to viewing one's own work over a period of a year. A suggestion is made that if you have grown as an artist in that period there is a good chance that you find your dated work less appealing than when first produced. If this is the benchmark then I certainly feel that I have grown in that period, not only on the technical side but on the style of work I produce . The question in my mind is how did that growth come about? Was natural progression demanding a more discerning viewpoint, did it come from being inspired by the viewing of other great artwork, or was it a bit of both?

What are YOUR thoughts? Would your own creative voice have developed if blind to the work of others, or would it be perhaps more unique?  

 

highlights magazine

In conjunction with Exhibitions Without Walls (EWW) I have created an interactive online magazine that highlights my work. The magazine can be viewed by clicking on the image below.

Again, I need to give many thanks to EWW and Ed Wedman in particular.

interview with Exhibitions Without Walls

I am honored to have been recognized for an online interview with Exhibitions Without Walls, an international organization that promotes photographers and digital artists.

I would recommend frequenting this site in general as it continues to unearth rising artists and bring to you great work that may not be seen otherwise.

My interview can be found via the following link;

Interview with Exhibitions Without Walls

In truth the questions really made me reflect on my approach to photography and feel that I have come out of that with a new and refreshing perspective.

Many thanks to Ed Wedman and EWW in general for discovering my work and providing this opportunity.

time for reflection

When traveling I like to dedicate time to exploring opportunities that may not be available in rural Vermont. In truth I just love spending time with the camera and the discovery of new and interesting elements.
Such an opportunity arose during a recent weekend trip, where a glass building caught my eye. With an exterior of mirrored windows the building offered an array of reflected imagery, the content changing with each step and through time as lighting and weather conditions evolved. 

Had I not captured an image of note I would have been happy with the quiet time spent exploring and observing the developing scenes. That said I am pleased with the results, a few of my favorites being displayed below.

I'd love comments on how you feel about the images in general, and whether any in particular catch your eye.

Thanks!

the story behind - from pain comes gain

It was not my intent to take these images that day, nor was the idea of heading to the beach at noon under clear blue skies. Unfortunately fate had thwarted plans for an early morning/later afternoon session as my son had broken his leg just days earlier slipping on a wet rock. However, at the prompting of my wife to take a break from patient care I thought I'd at least scout ideas in the hope of a chance to return before our vacation ended.

As I approached the beach I couldn't believe the conditions; a thick sea fog enveloped the beach with the glow of the sun producing a beautiful ethereal glow on those waiting it out..Foreseeing the fog lifting I rushed the length of the beach capturing what I could, some of which I present above.

So my gain comes from my son's unfortunate accident, but it just goes to prove that we never know what is around the next bend so we best be prepared

a new site, a new mentor

It has been a long time coming but I finally decided to go whole hog and invest more time and $$$ into creating something a bit more friendly and worthy of my work.

A LOT of credit for this has to go to Ed Wedman, co-founder of the wonderful organization Exhibitions Without Walls. EWW is an international organization dedicated to helping photographers and artists develop professionally. I would encourage all to check out EWW via the following URL;

Exhibitions Without Walls

Ed provided encouragement and the drive to get this moving, and I am deeply indebted to him

So.... a new site and a new blog to boot. Check back for updates.

alan